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Showing posts with label higher planes. Show all posts
Showing posts with label higher planes. Show all posts

Tuesday, November 15, 2022

Ascension of the Soul: The Fourth and Fifth Heavens - Spiritual Awakening Radio Podcasts

 

Ascension of the Soul: The Fourth and Fifth Heavens: Bhanwar Gupha, the Whirling Cave Vortex, Tunnel to the Fifth Heaven






"The shabd currents in Bhanwar Gupha are so sweet and enchanting, according to the Saints, that souls live entirely off its invigorating nectar, desiring nothing but darshan [vision] of the presiding lord and the manifestations of Light and Sound. Kabir, the most famous of the medieval saints, describes in his writings (or, at least, those attributed to his pen) how hamsas (pure spirits) live on spiritual dweeps (islands) with magnificent palaces for transmundane enjoyment. Faqir Chand, in his Yogic Philosophy of the Saints, gives a more psychological interpretation of the meditator's experiences in the fourth region: 'When in the course of meditation man reaches this state of Bhanwar-Gupha he experiences that there was none except his own self. This centre is compared with Bhanwar which means whirl. At this centre a wheel rotates like a cradle. It means that at this centre a wave springs out of the surat of the meditator and again merges in its own source, or say, it rotates around its own source and produces the sound of Sohang-Flute. The Shabd of this centre is so effective that the meditator enjoys the pleasure of being one with the Supreme Soul.'" (Enchanted Land)


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Swan-Soul, Heavenly Bird (Hamsa) - Mystic Poem of Kabir:


Tell me, O Swan, your ancient tale.

From what land do you come,

O Swan? to what shore will you fly?

Where would you take your rest,

O Swan, and what do you seek?

Even this morning, O Swan, awake, arise, follow me!

There is a land where no doubt nor sorrow have rule:

where the terror of Death is no more.

There the woods of spring are a-bloom,

and the fragrant scent "He is I" [I Am That, Ana-HU, Soham] is borne on the wind:

There the bee of the heart is deeply immersed,

and desires no other joy.

(Kabir, version by Robert Bly)


In Divine Love, Light and Sound, Peace Be To You,

James Bean

Sant Mat Satsang Podcasts

Spiritual Awakening Radio

https://www.SpiritualAwakeningRadio.com


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Thursday, January 10, 2019

Charts of the Heavens, Sant Mat and Gnostic






Charts of the Heavens - Inner Regions - Planes - Levels - Various Illustrations of the Spheres of Creation According to Sant Mat

Sant Mat Radhasoami Books, The E Library: Charts of the Heavens Section

NOTE: At the bottom of the page are two Gnostic Charts of the Heavens (created by Zeke Li) as well as the Christian Mysticism chart, The Threefold Nature of Man Chart, by Clarence Larkin, a 19th century Baptist pastor.




























































































Saturday, December 20, 2014

The Ascension of the Soul, Part 2


The Ascension of the Soul, Part 2




The Ascension of the Soul into Interior Regions of Light & Sound, Part 2: Introduction to the Inner Regions/Heavens, And, The Second Inner Region: Causal Plane: Trikuti

"The ascension of the soul, stage by stage, to higher regions can be accomplished with the help pf Shabd. Hearing these Sounds, the soul will proceed from one region to another, and will ultimately reach the Highest Region, and enter into Rest."  (Huzur Maharaj, "Prem Patra Radhasoami")

The Higher Regions

One's passage into the astral plane is aided by the sound of a deeply resonant bell. A dazzle of colors immediately emerges, subsiding into a deep blue, like the blue of a late afternoon sky. Subsequently a light appears in the blue, intense but diffused, as if veiled by a gauze screen. The soul aims for the light, penetrates the gauze, and arrives at a brilliant flame surrounded by a dense blue-black sky. That area, a higher realm within the astral plane, is called shyam kunj (the thicket of darkness), and it is regarded as the divine headquarters for managing both the physical and astral realms. It is controlled, of course, by Kal; here he appears as Niranjan, the Lord of the astral realm. The soul should not be satisfied with attaining this realm, however, but focus on the flame, which replaces the blue-black sky with an intense bright white. This enables the soul to by-pass all the supernatural regions referred to in the literature of other religions: the Christians' heaven and hell, the Hindus' svarga and naraka, the Muslims' dozakh and bahisht. These all exist at the level of shyam kunj, but there is no ultimate advantage to being lodged in one rather than another. Heaven may be filled with "comfortable rooms" and hell with "painful cells," but in the last analysis all who live in either are trapped "in the same jail."67 The fortunate soul, however, has a way out. The Radhasoami master guides it to a dark spot in the light and a sound similar to that of a conch shell, which it hears at first only distantly from a tunnel high above. The tunnel is called banknal (the crooked path). Upon following the sound into the tunnel, the soul turns around and then enters the next plane.

This second region is called the causal plane, for it is from here that the phenomenal world is ultimately generated. At one spot, for example, is a four-petaled lotus from which emerge utterances that eventually issue as the four Vedic scriptures of Hinduism. The world was created in this region as a subtle, invisible form, and here karmic burdens are dispatched and reclaimed. Thus cause and effect, both material and moral, begin and end here. Brahm, the creator, sustainer and dissolver of the universe, is considered the Lord of this region, but he too is an agent of Kal, so this world, like the astral, holds its perils for the wary Radhasoami soul.

The soul, forewarned, enters the causal plane with care, listening again for the guardian sound, which in this region reverberates like the sound of large drums or rolling thunder, and which may also sound like the rumbling chant of the Hindus' om, om, or the Muslims' HU, HU. The light that the soul looks for to guide it takes on a brilliant reddish color in this realm, like that of the sun in a summer sunrise. The soul fixes on these aural and visual guides, and passes by locations where the things of our physical world were created. Within the landscape are also vistas that are well known from Hindu mythology-Mount Kailasa, for example, where Lord Shiva is thought to dwell, or the forests and gardens said to have been inhabited by Krishna. The light that the soul has followed, already brighter than many suns, becomes ever brighter as the wayfarer proceeds upward, bursting through the pyramidically shaped causal realm.

At that point the soul moves beyond the arena in which causation has meaning and transcends the last shreds of materiality. It leaves behind realms referred to by Hindus as "the three worlds" (trilok), i.e., the known universe, and moves into what Radhasoami calculates as the third spiritual plane: Daswan Dwar (the tenth door), also known as Sunn (emptiness). This transition is more decisive than any other, and is second in importance only to the initial shift from the physical to the spiritual plane, for it marks the point beyond which the soul no longer inhabits form, whether physical, astral, or causal. From here onward, the soul exists purely in spirit. It passes beyond the karmic cycle, breaking free of the bondage that forced it to shuttle from one physical life to another. The soul has now achieved moksha (release), in the Hindu reckoning, and is "rid of all covers of matter and mind, and shines forth in its naked glory with the radiance of twelve suns."68 It has a new name, too. It is called hamsa, the high-flying goose that in Indian mythology is invested with almost magical properties; in Radhasoami writings it is usually described as a swan and is sometimes identified with the phoenix. Having passed beyond the realms governed by Kal, the soul is free to revel in divine bliss and enjoy an ambiance suffused by a pleasant light and a divine sound. The light resembles that of the full moon in a clear sky, shimmering in all directions, and the sound is like that of a guitar, lute, or harp. ("Radhasoami Reality," Mark Juergensmeyer, Princeton University Press, ISBN 0-691-07378-3)
_______
*NOTES:
65 Rai Saligram, Jugat Prakash Radhasoami, p. 26.
66 Misra, Discourses, p. 219. See also Sawan Singh, Philosophy of the Masters, vol. 4, pp. 132-33.
67 L. R. Puri, Radha Swami Teachings, p. 202.
68 Ibid., p. 183


The Higher Regions (Continued)

There are interesting places for the soul to visit on this plane: Maha Sunn, for example, "great emptiness," a vast expanse of utter darkness located above Sunn, where hidden spiritual secrets are revealed and where five new universes, each with its own Brahm, may be observed. Or the soul may rest in Achint Dip, an "inconceivable island" of spirituality in the midst of the void. The Lord of this region is called Parbrahm, "super Brahm." He has the power to direct the soul either downward or upward to an even higher region, and with the assistance of the master, the Radhasoami soul can make the further ascent.

When the soul leaves the third realm and ascends to the fourth, penultimate level, it finds itself in a medium that at first seems strange. The fourth realm whirls in dizzy delight and is called Bhanwar Gupha (the rotating cave). Its central sound is like that of a flute or the sound of the Vedic mantra soham (I am that), and the Lord of the region receives his name from that term: Soham Purush (the person of soham). The light is like that of the sun at midday, radiating in all directions. There are lovely islands where souls dwell and have fellowship together, but the Radhasoami soul hastens on to the fifth and final region.

This ultimate level is called Sach Khand, or Sat Lok (both meaning "the realm of truth"), and Radhasoami writers expend countless superlatives attempting to describe it: "an ecstasy of Divine Love," "intense bliss," "a beatitude indescribable."69 When it approaches this highest state, the soul first meets a sort of guardian in the form of saba; (spontaneous, intuitive consciousness).70 If it passes beyond sahaj, it is ushered into the entrance, which is like a garden or like a courtyard in a golden palace. One is surrounded by flowers of charming fragrance and fountains flowing with nectar. The sound that circulates in this ultimate realm is that of the bin, a wooden musical instrument that produces an oboe-like tone and is often played by snake charmers. Some Radhasoami writers, however, claim that the word that is intended here is actually vina, which refers to a classical stringed instrument that one Radhasoami author translates as "harp."71 The words sat, sat or haq, haq (the Sanskrit and Persian words for "truth," respectively) may be heard intertwined with the tones that emanate from the bin. The light is as strong as sixteen suns, but even with that brilliance it is scarcely able to compete with the radiance emitted from the luminous form of the Lord of the highest realm; his name is Sat Purush (the true person) or Sat Nam (the true name). The soul presently enters into the very chambers of the ultimate Lord, and the meeting that ensues is described by Swami Shiv Dayal as involving a sort of password given in response to the Lord's command. As the soul "pushes forward," it "beholds Sat Nam smiling in bliss. Out of his lotus-like appearance comes a voice: 'Who are you, and why did you come here?' The soul replies, 'A true guru instructed me in the secrets. By his graciousness I have received the grace of your presence, 0 Lord.' And as the soul beholds the sight of the Lord it becomes greatly enraptured."72

After that brief encounter, the soul rushes directly into the form of the highest Lord and "becomes one with Him in an ecstasy of Divine Love and intense bliss."73 The soul has finally reached its home. The journey is over. ("Radhasoami Reality," Mark Juergensmeyer, Princeton University Press, ISBN 0-691-07378-3)
_______
*NOTES:
68 Ibid., p. 183.
69 Ibid., p. 180, 181.
70 One finds saba; also in the final stages of the Buddhist and Nath  yoga journeys of consciousness. It is the "mysterious state" that is  the goal of hatha yoga as practiced by the Naths (Vaudeville, Kabir,  p. 125), and their idea has influenced Kabir, who speaks of saba as a spontaneous experience of truth" (Hawley and Juergensmeyer, Songs of the Saints of India, p. 44).
71 Maheshwari, Truth Unvarnished, part 2, pp. 35, 107-8. The leader  of another Radhasoami branch confirms that the bin is the snake-charmer's oboe (Interview with Bansi Lal Gupta, Gwalior, August 21, 1985),
72 L. R. Puri, Radha Swami Teachings, p. 180. 73 Ibid.


THE SECOND REGION:

Trikuti

"Three Prominences"

"At the apex of this Akash (in Sahas-dal-kanwal), there is a passage which is very small like the eye of a needle. Your Surat (spirit) should penetrate this eye. Further on, there is Bank nal, the crooked path, which goes straight and then downwards and again upwards. Beyond this passage comes the second stage. Trikuti (having three prominences) is situated here. It is one lakh yojan in length and one lakh yojan in width [millions of miles in inner space; an expression describing tremendous dimensions]. There are numerous varieties of glories and spectacles at that plane which are difficult to describe. Thousands of suns and moons look pale in comparison to the light there. All the time, melodious sounds of Ong Ong and Hoo Hoo, and sounds resembling thunder of clouds, reverberate there. On obtaining this region, the spirit becomes very happy, and purified and subtle. It is from here onwards that it becomes cognizant of the spiritual regions." (Soami Ji/Shiv Dayal Singh, Hidayatnama, Sar Bachan Poetry)

{Causal Plane; Universal Mind}

Progression to successively higher regions of existence is secured in Radhasoami and Sant Mat through listening to the finer shabd (sound) melodies. As remarked before, it is the bell sound which leads the soul into the first region. Subsequently, access to the next stage, Trikuti, is garnered by attaching one's attention to the powerful rhythm of drums (or, clashing thunder). However, on the sojourn between the first and second regions, one must pass through bank nal, a crooked tunnel which can ward off spirits from progressing further. An interesting description of this particular stage comes from a letter written by a disciple of Sawan Singh, dated January 30, 1945 (Rai Sahib Munshi Ram, 1974):

"My progress again started from 9th January. Sometimes I could see light and get some taste, but there was not upward progress. One day I saw three paths and after many days my soul started following the middle one. It is not a straight path but a sort of crooked tunnel which goes on narrowing as one moves forward. At one place it was so narrow that I had to crawl forward on my stomach. There were many snakes and scorpions in this path but through Your mercy they all appeared dead and did no harm to me. I felt absolutely no fear because I was conscious all the time of your presence and your Shabd Form. Further on, the path narrowed still more and a sinner like myself could never go through it without Your mercy and grace. It is like a round tunnel and it is all lightened up with a beautiful circular light like that of the morning sun. It appears as if the sun is rising. I tried to pass through this sun but could not do so and therefore came back through this tunnel. This happened about two or three days ago."

Trikuti, so named because of the three huge mountains of light situated there, is the home of the universal mind where individual karmas have their origin. Saints point out that this region is the most difficult to traverse because it means surrendering one's mind entirely. Since such a task is almost impossible immediately, the soul stays within the boundaries of the second stage for a considerable duration.

The spectacles of Trikuti are reported to be so enticing and spectacular that the meditator often does not want to go on further. Indeed, the inner master sometimes prevents the student from beholding the sights in fear that he/she will become too saturated with joy and forget his/her real mission (Rai Sahib Munshi Ram, 1974).

Faqir Chand, a radical teacher in the Radhasoami movement who presented a number of startling interpretations on the nature of religious visions (Lane, 1983), believed, on the basis of over seventy years of meditation, that the reason Trikuti is so hard to overcome is due to the fact that whatsoever one desires it manifests accordingly. Literally, worlds upon worlds can be created by sheer thought in the second stage. Thus, the soul can be trapped by an infinite set of cravings, wants, and wishes, which continually attract the mind to ephemeral pleasures (Faqir Chand, 1976).

Furthermore, in the grand design of the cosmos, there is a negative force whose sole purpose is to detain the soul from transcending to higher states. This power is known as Kal (time/death), the lord of the mind, in the terminology of the saints in the Sant Mat and Radhasoami traditions (Julian P. Johnson, 1974). Kal is the antithesis of the positive current, Sat, which constantly goes back to the Supreme Lord, Anami Purush. Kal's force is downward (instead of upward) toward the creation. Hence, Kal, though also a manifestation of the Absolute on a lower vibration, represents the main obstacle in the ascent of the soul. The only way a sincere student can conquer Trikuti is by withdrawing the spirit from the mind itself, just as the mind separated from the body.

(The Section Above is from the Book, "Enchanted Land", by David Lane, MSAC Philosophy Group)


"Saints show us the Path of Sound and Light,
They still the mind and raise it to the skies
within.
The soul gets concentrated at the Door and
is in bliss;
Ascending the celestial skies she is in sight
of Gagan (Inner Sky of the Second Stage).
The fortunate soul sets out on its journey
along with the Divine Melody;
Listening to this Celestial Music day by day,
she becomes detached." (Bhajan of Sant Tulsi Sahib)


 
 
 




Saturday, July 28, 2012

God and You, the Observer -- Light and Sound on the Path



God and You, the Observer -- Light and Sound on the Path




"Despite all we've gained in this scientific age, we've lost something important. Even in a roomful of neighbors, it's highly unlikely that everyone will have the same mental picture of large-scale reality and even more unlikely that any of their pictures is based on real evidence. We're divided on the most fundamental question of any society: what universe are we living in? With no consensus on this question and no way even to think constructively about how we humans might fit into the big picture, we have no big picture. Without a big picture we are very small people."


"Scientific cosmology, unlike traditional cosmologies, makes no attempt to link the story of the cosmos to how human beings should behave. It is the job of scholars, artists, and other creative people to try to understand the scientific picture and to perceive and express human meanings in it. A living cosmology for 21st-century culture will emerge when the scientific nature of the universe becomes enlightening for human beings."


"To the extent that people around the world accept scientific reality, they argue, we have grounds for agreement for the first time on a shared creation story based on modern cosmology and biology." (images and quotes above are from New-Universe 'dot' org)


* Library of Many Podcasts of Spiritual Awakening Radio: https://www.spiritualawakeningradio.com


* Sant Mat Library Online -- New Books Added, also includes links to Charts of Inner Regions, and Guru Lineage Charts: https://www.spiritualawakeningradio.com/library


"In the religion of the Saints [Sant Mat] the relationship between the Supreme Being and the soul is that of Ansi and Ansa*." (Saying of Swami Ji Maharaj, Sar Bachan Prose, Book Two) *NOTE: An 'Ansa' is an emanation. 'Ansi' means the Source of 'Ansas'. As with other schools of spirituality, in Sant Mat Mysticism souls are drops from the Ocean of Love, or described as God-particles: sparks or rays of the One Light. Souls are part of the One.

"The One is the foundation of all other things and gives them, at one and the same time, existence and location." (Plotinus, the Father of Western Mysticism)

"It is by The One that all beings are beings." (Plotinus)

"Souls are responsive one to another because they all come from the same soul –- The Soul." (Plotinus)

Rumi says: "I am merely a guest born in this world, to know the secrets that lie beyond it."


The Many and The One

We may conceive of a complicated multi-verse of bubble universes and big bangs, higher planes, trillions of light-years of space and time, vast epochs or yugas, multiple realities or dimensions, lokas, lotuses, and khands, yet there is a Simplicity behind and beyond the multiplicity. There is a Formlessness behind and beyond all forms. There is the Lord of the Soul (Sat Purush Anami, Radhasoami). No matter where you perceive yourself to be in the physical realm, heavens, hells, dream states, astral, causal, universal mind, etheric or some other level of inner space -- wherever you may be, know that you are the observer (attention faculty of the soul, surat, atman) and know the Supreme Soul is there with you. Remember this! This is the message of remembrance, awakening, simran. This is the message of the Masters, the Sants, Sufis and Gnostics.

Rumi: "I once had a thousand desires, but in my one desire to know you, all else melted away."

"Look within your heart, for there you will find both Karim and Ram; All the men and women of the world are His living forms. Kabir is the child of Allah and of Ram: He is my Guru, He is my Pir." (Kabir)

"You are pervading and permeating all places and inter-spaces, O Creator. You made all that has been made. You created the entire universe, with all its colors and shades; in so many ways and means and forms You formed it. You are the support of the unsupported. In all places and inter-spaces you are the Giver, the Great Giver. Everywhere I look, You are. Lord, You have no end or limitation. You are pervading and permeating all places and inter-spaces; reflecting upon the Word of the Guru's Shabad, You are found." (Adi Granth, Sikh Scriptures, Gurbani)

"Beneath the great umbrella of my King millions of suns and moons
  and stars are shining!
He is the Mind within my mind: He is the Eye within mine eye.
Ah, could my mind and eyes be one! Could my love but reach to my
  Lover! Could but the fiery heat of my heart be cooled!
Kabir says: 'When you unite love with the Lover, then you have
  love's perfection.'" (Kabir)

"The Merciful Supreme Being and Sant Satguru reveal to their true parmarthi jivas [spiritual souls, initiates, disciples, chelas] that they are Chaitanya [Spirit, Consciousness], are the Ansas [particles, rays, emanations] of the Supreme Being. They should therefore establish their connection with their Father-Mother who is the Supreme Chaitanya and make this connection much more intimate, so that they may attain His Region i.e. the Realm of Pure Spirit, where there is no Maya [illusion], and attain the joy and bliss of His Darshan [divine Vision]. People have been advised to perform the practices of Surat Shabda Yoga Marg [the way of inner Light and Sound Meditation]. The practice of Surat Shabda Yoga, which has been mercifully revealed by the Saints in this age, is beneficial for all jivas [souls]." (Prabha Sharma, Associate Professor, Department of Sanskrit, DEI, Agra, from, "Spiritual Consciousness Studies" -- Spircon 2010 document)


Meditate. It's bigger on the inside!


"Shut your eyes and change to and wake another way of seeing, which everyone has but few use." (Plotinus)

"It is now time, leaving every object of sense far behind, to contemplate, by a certain ascent, a beauty of a much higher order; a beauty not visible to the corporeal eye, but alone manifest to the brighter eye of the soul, independent of all corporeal aid." (Plotinus)

"The Masters say that two things are essential for success on the spiritual path: first a genuine urge, a passion for it; and second, regular practice. If either one of these is lacking, our efforts will not be fruitful." (Kirpal Singh)

"Those who meditate on the Eternal, like the great ones have done, will discover the Eternal Teacher, residing in their own hearts." (Kabir)

Within this earthen vessel are bowers and groves, and within it
  is the Creator:
Within this vessel are the seven oceans and the unnumbered stars.
The touchstone and the jewel-appraiser are within;
And within this vessel the Eternal soundeth, and the spring wells
  up.
Kabir says: "Listen to me, my Friend! My Beloved Lord is within."


"The One does not strive to encircle us, but we strive to encircle it. We always move round the One, but we do not always fix our gaze upon it: we are like a choir of singers who stand around the conductor, but do not always sing in time because their attention is diverted to some external object; when they look at the conductor they sing well and are really with him. So we always move round the One; if we did not, we should be dissolved and no longer exist; but we do not always look towards the One. When we do, we attain the end of our existence, and our Repose, and we no longer sing out of tune, but form in very truth a divine chorus round the One. In this choral dance the soul sees the fountain of life and the fountain of Spirit, the source of being, the cause of good, the root of soul." (Plotinus)

"Unless we overcome the magnanimous challenge of procrastination and curb the ever-rising tide of mental activity during meditation, we cannot reach our Noble (arya) destination (state of unity with God). The un-vigilant practitioners usually become engrossed in thoughts or fall sleep. These formidable passes must be crossed for success." (Swami Sant Sevi Ji)

"We sit in meditation, fail to concentrate, and get upset or fed up. A pessimistic thinking sets in as to whether or not 'I would be able to do it.' No, we should not get nervous, or anxious, nor should we nurture any doubts in our minds. We must go on trying, with persistence and perseverance." (Swami Sant Sevi Ji Maharaj)


From Darkness to Light, by Swami Bhagirath Baba

On closing eyes everyone sees the darkness inside no matter whether they belong to one creed, caste, country or another, be they young, old, male, female, scholar or illiterate. This darkness has not been created by humans or gods. This darkness has been created by the Supreme Sovereign God. There are three layers (coverings) over the Jeeva-atmaa (Individual Soul). Those are: darkness, Light and Sound. Darkness is the shadow of the Light. This darkness is the first layer that the Jeeva (Individual Soul) or all beings encounter. One who crosses this layer of darkness through a special kind of meditation sees the inner Light within oneself.

This inner Light is called Aatma-Aalok (Light of the Self) or Brahma-Prakash (Divine Light). On achieving this, the Divya-Drishti (Divine Eye, Third Eye) opens completely. While mentally gazing into the darkness that one sees with eyes closed, one should repeat the guru-instructed mantra. This process is called Maanas Jap [simran].

If the Jaapak (practitioner of Jap [simran]) repeats the Jap while doing worldly work as well as practices Jap sitting in a secluded place with love and faith, he/she begins to see divine visions, or hear auditions in the inner sky (the region within where darkness normally appears when one's eyes are closed). (Swami Bhagirath Baba)



One Love!

The Lord is in me, the Lord is in you, as life is in every seed.
  O servant! put false pride away, and seek for Him within you.
A million suns are ablaze with light,
The sea of blue spreads in the sky,
The fever of life is stilled, and all stains are washed away;
  when I sit in the midst of that world.
Hark to the unstruck bells and drums! Take your delight in love!
Rains pour down without water, and the rivers are streams of
  light.
One Love it is that pervades the whole world, few there are who
  know it fully:
They are blind who hope to see it by the light of reason, that
  reason which is the cause of separation --
The House of Reason is very far away!
How blessed is Kabir, that amidst this great joy he sings within
  his own vessel.
It is the music of the meeting of soul with soul;
It is the music of the forgetting of sorrows;
It is the music that transcends all coming in and all going
  forth. (Kabir)



When I am parted from my Beloved, my heart is full of misery: I
  have no comfort in the day, I have no sleep in the night. To
  whom shall I tell my sorrow?
The night is dark; the hours slip by. Because my Lord is absent,
  I start up and tremble with fear.
Kabir says: "Listen, my friend! there is no other satisfaction,
  save in the encounter with the Beloved." (Kabir)

bhai koi satguru sant kahawai

He is the real Sadhu, who can reveal the form of the Formless to
  the vision of these eyes:
Who teaches the simple way of attaining Him, that is other than
  rites or ceremonies:
Who does not make you close the doors, and hold the breath, and
  renounce the world:
Who makes you perceive the Supreme Spirit wherever the mind
  attaches itself:
Who teaches you to be still in the midst of all your activities.
Ever immersed in bliss, having no fear in his mind, he keeps the
  spirit of union in the midst of all enjoyments.
The infinite dwelling of the Infinite Being is everywhere: in
  earth, water, sky, and air:
Firm as the thunderbolt, the seat of the seeker is established
  above the void.
He who is within is without: I see Him and none else.

In the beginning was He alone, sufficient unto Himself: the
  Formless, colourless, and unconditioned Being.
Then was there neither beginning, middle, nor end;
Then were no eyes, no darkness, no light;
Then were no ground, air, nor sky; no fire, water, nor earth; no
  rivers like the Ganges and the Jumna, no seas, oceans, and waves.
Then was neither vice nor virtue; scriptures there were not, as
  the Vedas and Puranas, nor as the Koran.
Kabir ponders in his mind and says, "Then was there no activity:
  the Supreme Being remained merged in the unknown depths of His
  own self."
The Guru neither eats nor drinks, neither lives nor dies:
Neither has He form, line, colour, nor vesture.
He who has neither caste nor clan nor anything else -- how may I
  describe His glory?
He has neither form nor Formlessness,
He has no name,
He has neither colour nor colourlessness,
He has no dwelling-place.


Kabir ponders and says: "He who has neither caste nor country,
  who is Formless and without quality, fills all space."
The Creator brought into being the Game of Joy: and from the word
  Om the Creation sprang.
The earth is His joy; His joy is the sky;
His joy is the flashing of the sun and the moon;
His joy is the beginning, the middle, and the end;
His joy is eyes, darkness, and light.
Oceans and waves are His joy: His joy the Sarasvati, the Jumna,
  and the Ganges.
The Guru is One: and life and death, union and separation, are
  all His plays of joy!
His play the land and water, the whole universe!
His play the earth and the sky!
In play is the Creation spread out, in play it is established.
  The whole world, says Kabir, rests in His play, yet still the
  Player remains unknown.



"To whom shall I go to learn about my Beloved? Kabir says: 'As you never may find the forest if you ignore the tree, so He may never be found in abstractions.'

"O man, if thou dost not know thine own Lord, whereof art thou so
  proud?
Put thy cleverness away: mere words shall never unite thee to
  Him." (Kabir)

"He who is within is without: I see Him and none else," says Kabir.

There is a strange tree, which stands without roots and bears
  fruits without blossoming;
It has no branches and no leaves, it is lotus all over.
Two birds sing there; one is the Guru, and the other the
  disciple:
The disciple chooses the manifold fruits of life and tastes them,
  and the Guru beholds him in joy.
What Kabir says is hard to understand: "The bird is beyond
  seeking, yet it is most clearly visible. The Formless is in
  the midst of all forms. I sing the glory of forms." (Kabir)


On Sant Mat Meditation Practice, Including Pratyahara, by Swami Achyutanand Baba

The practitioner should sit in a comfortable posture holding his [or her] body, neck and head motionless in a straight line, closing mouth and eyes. First practice manas japa ([simran] -- mentally reciting or chanting -- without using or moving the lips or the tongue -- the sacred mantra given by the Guru, repeatedly with the fullest attention and alertness). This should be followed by manas dhyana ([dhyan] fixedly gazing at the visualized form of the Guru within us, keeping our eyes closed). Practicing thus regularly and with sincere love, the mind gets purified.


Pratyahara: Bringing the Wandering Mind Back to Focus During Meditation

The mind is, by its very nature, fickle and prone to frequently straying from manas japa and manas dhyan. If that happens while meditating, it should be immediately brought back to focus on its due target. Thus perseveringly practicing pratyahara (the process of applying the mind back, again and again every time it drifts away, to the selected target), the mind slowly gains in strength and is able to hold or stick to its goal. With the mind getting focused thus, the inner Current, the Current of Light, is subsequently easy to grasp, facilitating the journey ahead. (Swami Achyutanand Baba, Yoga of Inner Light and Sound)